othello :: essays research papers

The play, Othello was written by William Shakespeare in the later years of his career. Giraldi Cinthios, twaddle of a Moor, based Othello on a story that was a mellowed Drama, round a moor and his doubts about his wifes fidelity. In Shakespeares play the Moor (Othello) convinced by his jealous supporter (Iago) that his wife (Desdemona) is not Being faithful. Iagos jealousy is motivated by his anger when he learns that Cassio of Florentine has been appointed Governor of Cyprus. He snarl that he deserved this promotion and vowed to seek revenge against Othello. Othello being a Moor commanding the armies of Venice is a celebrated general and heroic fingerbreadth whose free and open nature will enable Iago to twist his lamb for his wife, Desdemona into a powerful jealousy. Iago is Othellos ensign, and Shakespeares greatest villain. His public formula of honesty and bravery conceals a satanic delight in utilization and destruction. . The crucial moment in the play is the scene where Iago deceives Othello and induces him to fall. He does this by expanding the tactics used in prior scenes. Iago plants the seed of doubt in the Moors mind when he says, Ha I like that not (III, iii) as they came upon Cassio and Desdemona talking. He then retreats into a guise as honest Iago as he did in the brawl (II, ii). When he was the indisposed(p) truth teller who must have unpleasant news dragged from him by a determined Othello. The honesty by him being reluctant to babble is reinforced by the moralizing tone he takes with his commander. Iago actually lectures Othello about his jealousy the green-eyed monster and insisting that hell not sing slander he that filches from me my good name / Robs of that which not enriched him / And makes me poor then (III, iii). At the same time he is playing upon Othellos insecurities by lecturing him on how Venetian women are deceitful and treacherous by nature. The seizure of the handkerchief is a great achievement for Iago in his seeking to destroy Othello and was aided by his wife, who apparently has no scruples about betraying her mistress in small matters. Shakespeare will eventually transform genus Emilia into a voice of moral outrage, and by the final scene the reference will applaud her role in Iagos destruction, but for straight off she is Iagos accomplice.